“I wanted to write about people who were not just out, but out there, people who lived their sexual lives in ways most of us could only imagine … and for whom the flavor vanilla had absolutely no appeal. I interviewed porn stars, prostitutes, self-proclaimed sex pigs, and delved into bizarre sexual practices. It was eye-opening, arousing, and a lot of fun (but never, never good clean fun). I also include here my favorite dirty stories. They all explore a side of life that exists not in the twilight zone, but in my favorite destination … the sexual underground.” ~ Rick R. Reed ~
Tales From The Sexual Underground: Fact, Fiction and Stranger Than Fiction by Rick R. Reed is a daring and provocative collection of forty-three short non-fiction essays and fictional stories that explore the fringe of gay male sex – “fetishes, porn, misdirected affection, misguided objects of affection, polymorphous perversion or just plain perversion.” Both the title of the book and much of its substance are borne of a weekly column Mr. Reed wrote for a Chicago entertainment magazine called Nightspots. These non-fiction essays are complemented by the author’s favorite fictional dirty stories and the collection represents some of the author’s best writing to date.
At some point, hasn’t every bottom yearned to be ravished by a powerful, inescapable top? What dominant hasn’t fantasized about a gorgeous young sub with an incredible ass, so horny he could never say no? The Boy Can’t Help It offers over a dozen such stories of beautiful young men: a gymnast, a diver, a surfer, a marine and an assortment of college boys submitting to construction workers, horny professors, butch jocks, corporate titans, insatiable miners, and even one’s own psychiatrist.
When Allen Pasztory discovered he was likely to die before his time, he realized that what he could pass down to the people he loved was stories. Stories of and for his families – the family he was born to and the family he stumbled upon and fiercely embraced.
The hearing child of parents raised in the inhumane surroundings of a state school for the deaf, all along Allen knew he and his family were different. His sister tried her best to become ordinary, as if it were possible, but Allen knew better. He would be ready to offer sanctuary when an ordinary family cast out his nephew Kit.
Allen fell for freelance artist Jeremy’s talent and looks, but it was Jeremy’s unanticipated bravery that supported them through the years while they nurtured their new family. Despite hostility from without and threat from within, they created a secure and loving home for Jeremy’s precocious son Toby and, later, Allen’s nephew.
But safety can’t be guaranteed. Allen must tell himself stories to survive, stories that may explain his life to the boys he’s raised, for “your life is never only your own story, and what you don’t know for sure you must invent, using all the clues you can gather.”