Dear God by John Goode is a deleted chapter from End of the Innocence, the fourth book in the Tales From Foster High Series, which was excluded from the book because the author felt it would have slowed the pace of the story, but important enough in its subject matter to be released as a short story. In this short piece, Kyle goes to a local church in search of understanding and answers on God, the Bible and Christianity’s treatment of homosexuality as a means of fighting prejudice and those using religion against his friend. His inquiry leads him to some surprising conclusions and forces him to re-examine his own beliefs.
As with all the books in the series, Dear God is well written, and I enjoyed this short fiction for what it is – a means of delving further into the character of Kyle Stilleno, one of the main protagonists in this series, and at the same time examining the issues of Christianity and its treatment of homosexuality, within the context of the overall story arc.
My list of reading favourites for 2013 features a mix of titles, both literary and genre fiction, including action/adventure, contemporary, fantasy, urban fantasy, mystery, young adult and (erotic) romance. Most of the books listed were released in 2012-2013, but there are a few that had been on my reading list for years and that I was finally able to get to in 2013. The past year’s best include stories from previously read favourite authors, as well as from author’s that are new to me, and I look forward to reading more of their works in the future.
“…I became a clown for the usual reason – because things didn’t work out. On a grand scale. That’s the cliché of clown stories. I know. Yet I didn’t go bankrupt or lose my family in a tornado or anything like that. I lost Jimmy, which amounted to the same and then some.
Because it was like a tornado, the way it came, leaving nothing behind but dust and ruination – and Jimmy’s voice as he grabbed hard ahold of my wrist with what strength he had left, his big hollow dark eyes looking at me: ‘Don’t forget to take me back the way I came, Seamus…road’s the place for lost souls.’
The question that was my face.
I nodded. Then I kissed him on the forehead and sat holding his hand, listening to the rhythm of his breathing – and humming along with it – as he made his way toward sleep.
Jimmy was a song, see? And the song’s over. Let me tell you the story. You read and I’ll hum…”
I was first introduced to the writing of award winning author Trebor Healey through his politically charged and brilliantly eloquent short story “Trunk,” featured in the 2009 Cleis Press anthology Fool For Love: New Gay Fiction. In 2012, Mr. Healey released A Horse Named Sorrow, an exquisitely written and heart-rending story of twenty-one year-old Seamus Blake who meets and falls in love with strong and self-possessed Jimmy. But their time together proves short-lived, as Jimmy dies of AIDS-related illness. The grieving Seamus (or Shame, as named by Jimmy) is obliged to keep a promise to Jimmy: “Take me back the way I came.” Shame sets out from San Francisco on Jimmy’s bicycle – Chief Joseph – with Jimmy’s ashes, to bring him back home to Buffalo.
I first learned of author Marshall Moore when I came across his guest post on Rick R. Reed’s site, entitled, My Open Relationship With Genre, in which the author shares his insights on genre, writing, and the state of gay fiction. While as a reader I also share many of Mr. Moore’s perspectives on genre what equally made an impression are the titles of his published works – The Concrete Sky, The Infernal Republic, An Ideal for Living. Call it this particular reader’s quirk, but I have a thing for titles, and have been known to purchase a book based solely on its title. So when I received a request from the author to review his 2013 release, entitled, Bitter Orange, I agreed without hesitation.
Bitter Orange is the last book I read in 2013, and in this regard I saved one of the best for last. It is an extremely well written, imaginative, provocative and by degrees disturbing multi-themed story that is part urban fantasy and part mystery, but is firmly rooted in contemporary reality. Through the main character of Seth Harrington, who possesses the ability to become invisible, Mr. Moore turns the more accepted notion of superhero in speculative fiction on its ear to explore the darker motivations and actions of an ordinary person who possesses extraordinary powers. The author grounds the fantastical elements of this story and Seth’s increasing confusion and anxiety about his ability to become invisible against the backdrop of the disquiet and weariness of American (urban) life in a post 9/11 and dotcom crash world. Particular to the main protagonist’s personal story is the question of whether Seth can move beyond the loss, pain and trauma of those falling towers to once again find his place in the world.