I first learned of author Marshall Moore when I came across his guest post on Rick R. Reed’s site, entitled, My Open Relationship With Genre, in which the author shares his insights on genre, writing, and the state of gay fiction. While as a reader I also share many of Mr. Moore’s perspectives on genre what equally made an impression are the titles of his published works – The Concrete Sky, The Infernal Republic, An Ideal for Living. Call it this particular reader’s quirk, but I have a thing for titles, and have been known to purchase a book based solely on its title. So when I received a request from the author to review his 2013 release, entitled, Bitter Orange, I agreed without hesitation.

Bitter Orange is the last book I read in 2013, and in this regard I saved one of the best for last. It is an extremely well written, imaginative, provocative and by degrees disturbing multi-themed story that is part urban fantasy and part mystery, but is firmly rooted in contemporary reality. Through the main character of Seth Harrington, who possesses the ability to become invisible, Mr. Moore turns the more accepted notion of superhero in speculative fiction on its ear to explore the darker motivations and actions of an ordinary person who possesses extraordinary powers. The author grounds the fantastical elements of this story and Seth’s increasing confusion and anxiety about his ability to become invisible against the backdrop of the disquiet and weariness of American (urban) life in a post 9/11 and dotcom crash world. Particular to the main protagonist’s personal story is the question of whether Seth can move beyond the loss, pain and trauma of those falling towers to once again find his place in the world.

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